The classic 3 string barre chord with no 3rd so ca be played inplace of either a major or a minor, trouble is that while it can be used for either and the end of the day without the 3rd note it's neither major or minor.
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 The classic 3 string barre chord with no 3rd so ca be played inplace of either a major or a minor, trouble is that while it can be used for either and the end of the day without the 3rd note it's neither major or minor. |
 A bit of a stretch back in the second position but a fuller voicing if you can manage it. |
 This one has the 3 but no root so can sound a little odd, you choose. A common moveable shape though based on the D major in the 3nd position. |
 With the root in the bass and the 3rd on top this is your standard minor voicing and another moveable shape. |
 Could be a good option for a minor chord if you're up this way |
 For a jazzier sound in your minor chords. |
 This moveable shape gives a great sounding minor seventh chord, even without the root note. |
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 The minor chord with the 5 in the bass, taken from the open position Cm chord. |
 The 3 and the 6 sound cool together and with the 5 in the bass it is starting to outline an A chord, proceed with caution though. |
 It's an 11th position chord because of the position of the first finger but it's based around the A on the 14th fret. |
 With the tritone on top this is a good voicing for a seventh chord, it's also a moveable shape that is worth persevering with. |
 With the 5 in the bass and the tritone on top this is one of the better options for a 7th chord, a good moveable shape to learn. |
 Based on the 2nd position barre chord the b7 note is the open G on top. Note that there is no 3 though so you can't make a tritone and you lose the essence of the 7th chord. An easy shape though and it can still be useful for quick chord changes. |