2nd

For a jazzier sound in your minor chords.

With the root in the bass and the 3rd on top this is your standard minor voicing and another moveable shape.

With the tritone on top this is a good voicing for a seventh chord, it's also a moveable shape that is worth persevering with.

A bit of a stretch back in the second position but a fuller voicing if you can manage it.

The classic 3 string barre chord with no 3rd so ca be played inplace of either a major or a minor, trouble is that while it can be used for either and the end of the day without the 3rd note it's neither major or minor.