C

A good option for the important C7 chord in the open position. It's easy to grab, the tritone is intact and the 5 in the bass gives it a good bluesy sound.

No 3 in this one so it's neither major or minor but if you need a C chord way up here what else are you going to do?

Based on the C barre chord addint the 3rd on the 8th fret makes it minor

In the second position because that's where the first finger is but it's best found by placing this important movable shape on the 5th fret with your little finger.

The barre chord on the 5th position is a C, again no yellow dot.

The minor 7 works better than the straight minor in this position with the flat 7 helping to outline the chord.

The minor 6 with the 5 in the bass is a cool sound and may be a better option than the minor in the open position, especially in a minor blues. Give it a shot.

A minor chord but without the tonic to hang the 3 off it may not always sound like you want it to. Another easy one though and good for a moveable shape.

An important chord when playing a blues in G because the tritone defines the chord well, the 5 in the bass is a bonus and you can get away without the tonic.

A great sounding voicing if you're after this sound.